Tag Archives: Faber and Faber

My book collection: Ted Hughes

I mentioned a number of blog posts ago that I’ve been going on a bit of a Ted Hughes blitz in recent months. This is due to the fact that (despite what some other bloggers and literary fans may think of him) I adore his work. You may wonder why I don’t bother just getting the collected poems, collected poems for children and other such books, but there’s a few reasons for this:

  1. I already have a good few of his books, and so don’t want these to become redundant
  2. I much prefer reading individual volumes of poems, rather than finding collections in a collected works. They are so much more convenient- they can be taken on the bus and slipped into a bag or a pocket
  3. Ted Hughes’ Collected Poems is notoriously confusing to work through, as poems are rejiggled between collections and sequences to reflect the interesting publishing history of his texts.
  4. Hey- I like books, so the more the merrier.

I may still get the collected poems for the several hundred uncollected poems that this contains, but not at any time soon.

Here are the few (…) I’ve picked up over the last few months:

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  • Meet My Folks!
  • How the Whale Became and other stories
  • Nessie the Mannerless Monster
  • The Iron Man
  • Collected Plays for Children
  • Season Songs
  • Moon Whales
  • What is the Truth?
  • Ffangs the Vampire Bat and the Kiss of Truth
  • Flowers and Insects
  • The Cat and the Cuckoo
  • Tales of the Early World
  • The Iron Woman
  • The Dreamfighter and Other Creation Tales
  • Difficulties of a Bridegroom: Collected Short Stories
  • The Iron Wolf
  • Frank Wedekind – Spring Awakening
  • Jean Racine – Phedre

All of these were off ebay or Amazon, except two: The Iron Man was picked up from a charity shop for 70p, and has the original illustrations by George Adamson, rather than the Andrew Davidson illustrations that are used in the subsequent reissues (including the one I picked up last year); The Iron Woman (the companion reissue edition to The Iron Man) was found in The Last Bookshop when I went down to Oxford back in June for that conference.

A few other points. Difficulties of a Bridegroom actually contains all of the prose from the wonderful collection Wodwo, along with three other stories, and it’s these I bought it for, as I already have the other six in the parent book. It’s also a bit of a bugger to find online cheap. Moon Whales (in this edition, not the original American release), The Iron Wolf (a collection of animal poems written for children, collecting several shorter volumes) and Ffangs… are all gloriously illustrated by the fantastic Chris Riddell, and are worth getting for this point alone. The animal poems and Ffangs… are also quite good books. Moon Whales isn’t great, I must admit. I am not a big fan of when Hughes tried to rhyme, as much sounds too contrived and a bit clunky. Flowers and Insects is an interesting one, as it has never been properly reissued by Faber (except in the Collected Poems) and has never been issued in paperback. It contains some bloody awful watercolours by Leonard Baskin, whose otherwise magical line drawings graced the covers and pages of Crow, the first issue of Moon Whales, Gaudete, Cave Birds and Moortown. However, the layout of the book is also a shambles, with pictures being sliced, repasted oddly, printed more than once, or just generally reproduced badly.

Lastly, The Cat and the Cuckoo is not published by Faber, and was a nice find on ebay, but my copy is somewhat let down by the foxing on the endpages, which doesn’t make it an overly approachable volume. The poems are all (except one) in The Iron Wolf, but this edition is worth having just for the illustrations by R. J. Lloyd.

Now, for completeness I’m missing a number of his plays, as well as the individual 2011 reissues of the original versions of Remains of Elmet and River (before they were annoyingly rehashed for Three Books), but here is my Ted Hughes collection as it presently stands:

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Not a shelfie as such, but enough shelf porn to keep me going!

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Life update #14

Why hello! Fancy you reading this! I suppose I’d better apologise yet again for the lack of blogging that has gone on this past month. For one, I haven’t had a lot to blog about, but also life, work (it’s GCSE time again!) and sleep seem to have taken over. We’re looking to move house soon (have I already mentioned this?), but are having real issues finding somewhere- in part because landlords and estate agents don’t actually seem to get back to us when we inquire. We did have a viewing arranged for last weekend at the most perfect house, but then it turns out to have been let before we even had chance to see it. To say we were (and still are) pissed off is putting it mild. This is dragging us all down at the moment, and sleep seems to win out over staying up late at night and worrying/fretting/typing on a temperamental keyboard that takes five times longer than it should to type a sentence on. However, it’s half term now (the joys of working in a school!), so this has provided a small window for catching up on some much-needed posting time. I’ve had to borrow a laptop from work though so as I can get some work done and get these posts typed up more quickly.

Talking of work- I may be going to Oxford next month on a conference, which should be pleasant, and which I’m secretly looking forward to. Neither my wife nor I have been down since my graduation in September 2013, so we’re both pretty homesick for the place. We’ve been wanting to go down for a few days every holiday, but haven’t either had the time or the train fare. I’d feel a bit bad going without the rest of the family, though. It’s bad enough for them that in July I’m going down for two days with work to stay at my college, St. Hugh’s.

What else is happening in my life? Oh yes- it doesn’t seem as though my poetry submission has got anywhere, as I still haven’t heard back and it’s been a number of months now. Is that how long it usually takes to hear back, or will this silence be a permanent thing? I s’pose I may as well bite the bullet and just send them on mass to as many publishers as I can, but I am still fearful of rejection. I know all wannabe writers go through it, and that I’m just being a wimp, but- my work’s shit, and I don’t need other people’s rejection to tell me that. I’d intended over Easter on beginning the next book of poetry (I’ve got the odd line, poem title and fragments scribbled down ready from when I wrote my first collection, but haven’t yet worked them into some sort of order), but despite buying a brand new notebook, I didn’t get anywhere. Not so much as a word written in it. I’d also planned on getting some more of those short stories and fragmenty/sceney/vignettey things down on paper, but to no avail. I’ve got these planned alright- I’ve got two novellas and a full-blown novel planned- I just can’t be arsed to actually write them. Okay, that’s not strictly true. It’s more like I’m scared to write them as I don’t feel as though I could write them either as well as they seem to be as they are at the moment in my head, or as though I will be able to write enough and quickly enough. It usually takes me a long time to write prose. I can bang out a poem (on a good day) in about ten minutes; some of my best are written like this. But prose has to be teased out at the rate of about a line a day. I think I need a big kick. And some coffee. That usually helps.

Anyway. Back to the blog. I’ve got a not-so-new-by-now book haul to post next and a few other oddments that I’ve come across, so hopefully I can get these up soon. I also intend on making headway with my book reviews soon, as I’ve got books that I read at the start of 2014 to still review…

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Preparation for rejection

…I still haven’t heard anything either way regarding my poetry submission. Perhaps no news, as they say…

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New, reclaimed, libraries etc.

More books!

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  • Solomon Northup –  12 Years a Slave     £1.25
  • The Britannica Book of Genetics     50p
  • Karl Marx and Friedrich Engels –  The Communist Manifesto     1 of 3 for £1
  • Michel Foucault –  Discipline and Punish: The Birth of the Prison     2 of 3 for £1
  • Henrik Ibsen –  Four Major Plays     3 of 3 for £1
  • Patrick Moore –  On the Moon     £1.99

I also picked these books up from my parents’ house:

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  • Philip Pullman –  The Ruby in the Smoke, The Shadow in the North, The Tiger in the Well and The Tin Princess
  • Philip Reeve –  Mortal Engines
  • Eleanor Updale –  Montmorency

Yes, they are all childrens/teen fiction, but as with many of Pullman’s works, this quadrilogy of ‘Sally Lockhart’ books are as good as any adult novels in both style, plot, langauge and themes, and the Reeve book I haven’t actually read, but want to as it is a dystopian work in a similar vein to many sci-fi classics. Hell, why am I defending myself here for wanting to read or re-read children’s fiction? I feel as though this is an argument I am having with myself, and am sure that I am the only person who needs convincing that it is okay. When it comes to classic and decent fiction, the boundary between children’s and adults is decidedly and rightly blurred, and is one that is getting more and more irrelevant for me as time goes on. Blame Ted Hughes and his children’s poetry, which is also adult poetry; blame Lewis Carroll; blame Tolkein and J.K. Rowling.

…and on the theme of children’s works (and Ted Hughes) I also got this:

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I already own the tie-in version of this that was produced at the time of the film ‘The Iron Giant’, but that has certainly seen better days, and so when I saw this ‘Faber Classics’ edition with the 1980s cover restored, I thought that it was worth the £2.99 that I paid for it. You can’t tell here, but the title and the rivets around the border are all in shiny gold foil and are imbossed, which really adds to this edition and makes it a nice collectors piece. The book also looks far more substantial in this format, as the text is rather large and so the book has been padded out to over 100 pages. Also, this is the first brand new Faber & Faber book that I have bought since Seamus Heaney’s ‘Human Chain’ in paperback in 2011 (as opposed to second-hand), and so it is the first time I have seen the new Faber typeface in print:

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It looks a bit odd initially alongside the double-f logo, but I don’t think that it looks at all bad. it certainly has a nice 1920s/30s feel to it, harking back to the Faber of Eliot, and that is never a bad thing. Here is the font in greater detail, taken from their website:

 

Faber

Image: faber.co.uk

Hopefully, I may see that grace my poetry in the near future… Yeah, right. I can but dream…

Lastly, two of our local libraries have been having booksales, and so I got these few:

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  • Jon McGregor –  even the dogs     10p
  • Frank Herbert –  Hellstrom’s Hive     10p
  • Mohsin Hamid –  The Reluctant Fundamentalist     10p

…and these…

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  • Ian Fleming –  Goldfinger     25p
  • Irvine Welsh –  Trainspotting     25p
  • Thomas Hardy –  Jude the Obscure     25p
  • Philip Reeve –  Predator’s Gold     25p
  • Jenny Turner –  The Brainstorm     25p
  • Archie Brown –  The Rise & Fall of Communism     10p

 


 

I’m wondering with these new book posts whether I should start doing them monthly instead of as-and-when I buy. I just think that that would be a bit easier and make this blog a bit more tidy. Also, I hope to sort out all my arch & anth, poetry and other books soon so as we can buy some bookcases, and then I can actually start using them again and have easy access to them, rather than them being piled up and very impractical. I’ll let you know how I get on, and promise to post some pictures once the shelves are assembled and the books arranged. Watch this space!

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A further brief note on the threat of rejection

Another thing that is making me hesitant to submit any poetry once the book I’m currently working on is complete is the fact that I really want to be published by Faber. This comes down in part to the same thing that drove Queen to strive from the go to end up on EMI. They wanted EMI because The Beatles were on their label, and I want Faber because my favourite poets were and are published by them. I just doubt it will happen.

If anyone from Faber happens to be reading this (which I also doubt) then- PLEASE PUBLISH ME! (Just as soon as I’ve finished the book). Well; we can all dream.

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